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Robert S Sands – Hunger (2008) — The priest tries to talk Bobby Sands out of his protest

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Movie: Hunger (2008)
Scene: A priest tries to talk Bobby Sands out of his protest

Hunger is a 2008 British-Irish historical drama film directed by Steve McQueen about the 1981 Irish hunger strike. It was written by Enda Walsh and McQueen.

To prepare for this scene, Cunningham (the priest) moved into Michael Fassbender’s (Bobby Sands) apartment for a time while they practised the scene between twelve and fifteen times a day. According to Fassbender, they only did five takes.

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33 Comments

  1. When alot of people are going through a rough patch or hard times, they may listen to this song or that song for a little motivation. Not me I listen to Bobby Sands speech. It's called Sands of Time. It always makes me feel better and gets me motivated, to be better and do better. Long live Bobby Sands, 1954-1981.

  2. Priest won the argument, then gently let Sands go ahead and explain why he was determined to do what he did.

    But in the context of the movie, Sands is the foal. The whole first half of the movie is about the mutual physical and psychological torture and terror the guards and prisoners inflict on each other. The thrashing stops.

  3. Please pardon the length of my comment:
    Bobby Sands sees through the priest's bullshit and the priest knows it, somewhere in his fear-driven foundation. But the deeper question for me is: Does the viewer see though the illusion of this movie? Even though this is a very well-made film, it creates a wall of illusion between the viewer and the real Bobby Sands and the reality of Ireland. The graphic brutality in the movie is ultimately safe because it is not real, it is not the reality. The movie gives you a safe surrogate for the reality. To engage this movie might make a viewer very uncomfortable, but it is still not the reality that is being engaged.I have no doubt that many viewers forget about Bobby Sands and instead engage Michael Fassbender and the illusion he creates under the direction of McQueen. So what is the real meaning and value of the movie? I admit that I deeply sympathize with Bobby Sands and the reunification of Ireland cause, that I loathe the British state, and that I have a deep uneasiness and even distrust of commercial film-making precisely because of its profound capacity for inducing a fantasy level of functioning in viewers that is taken for granted as basically benign. My point is simply that being an admirer of this movie doesn't necessarily have anything to do with taking Bobby Sands and the Ireland question seriously. I like the movie, but I can live without it. The reality of Bobby Sands and Ireland is for me something else altogether. I realize someone could say to me that that there are people who wouldn't know about Bobby Sands if they hadn't seen this movie and I know that is true. But seeing the movie doesn't make anyone take seriously the reality it refers to. There remains a universe of difference between Bobby Sands who died in prison and Michael Fassbender being filmed on a movie set. Creating engaging illusions is one of the primary control-tools of the Fascist State. I do not intend any accusation against Steve McQueen in this comment.

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